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Mr. Stafford became an apprentice with New York City Ballet in October 1998 and joined the Company as a member of the corps de ballet in February 1999. He was promoted to the rank of soloist in March of 2006 and became a principal dancer in May 2007. Upon retiring from performing in May 2014, Mr. Stafford was named one of NYCB’s ballet masters. From late 2017 through 2018, Mr. Stafford led New York City Ballet’s four-person interim artistic leadership team while serving as NYCB’s primary artistic liaison with SAB.
From the ages of 12 to 16, he attended five consecutive Summer Courses at the School of American Ballet before enrolling as a full-time student in the fall of 1986. In 1989, he received SAB’s Mae L. Wien Award for Outstanding Promise and was invited by Peter Martins to join New York City Ballet as a member of the corps de ballet that same year. After 3 years as soloist with the Royal Ballet of Flanders, he toured the U.S. and Mexico as a principal guest artist before William Forsythe invited him to the Frankfurt Ballet in 1991.
Return Of The Aspects
The ascent is all but impossible, and those hardy few who somehow survive to reach the top almost never speak of what they have seen. Some return with a haunted, empty look in their eyes, others changed beyond all recognition, imbued by an aspect of unearthly, inhuman power with a destiny few mortals can comprehend. Since his appointment in 2007 as artistic director of The Joffrey Ballet, his passion and commitment to the Joffrey have been evident in the quality that he has brought to the dancing and to the repertoire. He has invited world-renowned choreographers, as well as fresh young talent, to create new work for the company. Mr. Wheater has added new full-length works to the Joffrey’s repertoire, including Lar Lubovitch’s groundbreaking Othello, Ronald Hynd’s The Merry Widow and Yuri Possokhov’s Don Quixote. In 1982, he joined the Australian Ballet where he continued dancing principal roles in both classical and contemporary work, especially in the John Cranko full-length ballets.
Currently, 95% of the main company has come out of BWII with a third of them being graduates of the Academy Trainee Program. Notably, in 2016, Ballet West was invited to Havana, Cuba to take part in the renowned Cuban International Ballet Festival. Ms. Lyras has taught the ballet majors at Indiana University’s Jacobs School of Music as Adjunct Lecturer with Michael Vernon, Chair – Ballet Department and the late Violette Verdy, Distinguished Professor of Music . Ms. Lyras was a 2015 Creative Renewal Fellow through the generous support of the Arts Council of Indianapolis. In May 2018, Lyras was named the recipient of the 15th Annual Starkey Entrepreneurial Woman Award, which recognizes Indiana businesswomen who display courage, tenacity, selflessness, and determination as they establish their organizations in the Hoosier State.
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Ms. Fairchild attended the School of American Ballet’s 1999 and 2000 Summer Courses before enrolling as a full-time student in September 2000. She was named a recipient of SAB’s Mae L. Wien Award for Outstanding Promise in June 2001, and in November 2001, she became an apprentice with New York City Ballet. She joined the Company as a member of the corps de ballet in October 2002, was promoted to the rank of soloist in February 2004, and in January 2005, she was promoted to principal dancer. Dena Abergel began ballet classes at the age of 6 with Dorit Koppel at Progressive Dance Studio in Englewood, New Jersey. She attended the School of American Ballet’s 5-week Summer Course at the age of 12 and enrolled as a full-time student in the School’s Intermediate division one year later.